Short bio:

Yvon Bonenfant is a performance-maker, art-maker and researcher. His work explores the sensual power of the unusual voice and body. Since 2010, his work has largely focused on unearthing and developing how we best invite participants to explore the virtuosic glory of their own vocal difference, and to celebrate that difference. By extension, he is interested in tactile art and performance, visuality, and environments that celebrate the artistic expression of unruly bodies. His work and collaborations have shown in 10 countries over 30 years and he has published widely. He is Head of Department of Theatre at University College Cork, Ireland.  

For an academic bio, go here. For my short research bio, go here.

CV portrait in highlights:

Work has been funded by: Arts Council (Ireland); Arts Council England; Wellcome Trust Small and Large Arts Awards; Irish Research Council; Arts and Humanities Research Council of the UK; British Academy; and with Tract and Touch, by Youth Music; Postcode Community Trust; and co-production funding from Stockholm City, Stockholm County and Swedish Arts Council. Production residencies: The Place (London); Experimental Media and Performing Arts Centre (EMPAC) (Troy, NY, USA); Creation Centre, The Point (Eastleigh, UK); Mile Zero Dance (Edmonton, Canada); ENSAD Limoges-Aubusson (France); Weld (Stockholm, Sweden) Mediums: Touring theatrical stage shows (Uluzuzulalia, Beacons); mobile theatre of the voice (Resonant Tails, Loop Love); work for public space (Curious Replicas, The Voice Trunk, We Wink We Wink our Voices Blink, The Opposite of Trauma); interactive installation (Curious Replicas, Resonant Tails, We Wink We Wink our Voices Blink, The Voice Trunk); voice-videoart (Intimacies); voice-painting (B(earth)); iPad app (Voice Bubbles); sound recordings (Masz, Soie soyeuse); Performance art (Soie soyeuse, Beacons, The Opposite of Trauma); voice-dance/movement (Wig Show; The Opposite of Trauma; Intimacies). When younger I worked regularly in choreographic contexts. Sample guest teaching: UniArts Stockholm; UniArts Helsinki; University of Limerick; Royal Scottish Academy of Music and Drama; Mile Zero Dance; University of Bristol; CEPIA; University of Leeds Numbers reached by work: The Voice Trunk, situated in Winchester Science Centre for nearly 7 years, reached numbers in the hundreds of thousands; Resonant Tails, for children & other young people with PMLD, reaches 300 users intensively and repeatedly in any given year. I make work for both mass publics and the most ‘niche’, historically marginalised audiences Publications: artist’s book, 1 guest edited journal issue, 2 online research-creation edited-curated collections, 7 book chapters + 3 forthcoming, 15 peer reviewed articles Presentations or papers given: 55+. PhDs examined: 12.

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